Showing posts with label Danielle Donaldson. Show all posts
Showing posts with label Danielle Donaldson. Show all posts

Tuesday, June 3, 2014

His Tender Mercies are over all his works

This 12 x 12 birch board is a product of an incredible Creative Girl online class I took from the aforementioned Danielle Donaldson.  It was hosted by the lovely Jeanne Oliver.

As I mentioned in a previous post, I do love Psalm 145: 9.  Here are all of my iconographic touchstones that mean something to me; prayer, lettering, numerals. I don't feel like a piece is complete if I don't have some kind of pencil work and stenciling. It's hard to tell but there are rays radiating off the angel (bird) wing here.

More of my current crush; brush script lettering using permanent ink (trust me on that one; I've ruined more than one piece) and rubber stamps and little touches that finish the piece.


The bright spots of color you see are the result of lots of under painted layers and top layers of  brush spattering. The glowing colors on the wings are from watercolors and colored pencils and inks.

I can never NOT think of Robert Duvall and the movie Tender Mercies. It was such a lovely movie and his version of On The Wings of A Dove.




Tuesday, May 27, 2014

One for Sorrow

This 12 x 12 canvas painting started simply as a color-block and line exercise and morphed entirely into its own thing. I'm always downloading color palettes and other artist's works for my sketchbooks, just as a catalyst to think about color in different ways or try a technique or use another artist as an inspirational springboard.  I think that's one of the strengths of Pinterest. I never want to copy someone's work, but ideally we learn from each other and inspire each other. If my work here inspires someone else, that's lovely.


I was unhappy with the color exercise and one day saw this pin on Pinterest. Like many people, I love the symbolism of crows. I also loved the top down perspective in the publicity shot for The Birds, so I made a stencil of the crow and started building up layers of paint.



I just finished a FANTASTIC online class from incredible Danielle Donaldson. I learned from her directly a method of building up a background with copious amounts of white acrylic paint; I love Utrecht's Studio Series acyrlic  medium body in Bright White, blended out with  acrylic glazing medium.  You can see here I used individual rub-ons letters to create a sense of stars in the sky and to work with my own iconography.


Using Golden's Airbrush Medium, I created cascading flows of liquid acrylics down the canvas. You have to be careful about using too high a water ratio with acyrlics because your paint can literally fall off the canvas; it's very unstable.  Airbrush Medium is a great way to get highly fluid runs of paint that are stable on your surface.

I've also used more rub-ons; I like them in tatters and incomplete. Here they suggest rolling hills and topography.


Although the painting began as an abstract, I felt like the Raven was flying over a landscape and hidden in his wings are the lyrics from The Beatles "Blackbird". I'll often have prayers, sigils, lyrics, quotes, etc. hidden in my layers. I made a teeny tiny castle stencil and a moon stencil. I love how the little castle glows at night.


As I mentioned in my last post, I try to work with lettering and numerals in my work to keep it unique to me.


I used my Copic Airbrush System to create the Raven's undercoat with a number stencil I made. Another bit of a rub-on on his head. Like many people, I'm very lost these days and I hope that this Raven is a totem to help me find my way. Or, it's quite possible I've been watching too much of Game of Thrones. But I'll always think of this old nursery rhyme when I see crows

One for sorrow,
Two for joy,
Three for a girl,
Four for a boy,
Five for silver,
Six for gold,
Seven for a secret,
Never to be told